💡 We based these principles on Elinor Ostrom’s seminal book, “Governing the Commons” in which she lays out eight design principles for common pool resources. While numbered, there’s no order of priority.
📍 This is a living document; we will fail, we will make mistakes, and we won’t have covered every possible scenario that can and will happen. But with patience, good faith, common sense and trust, we hope to learn to govern ourselves, together.
🌳 We hope this document feels accessible to all. Our references are not meant to intimidate, and you don’t have know them to get to know us! Please reach out if we can do better! Follow for updates.
the space is yours as much as ours,and ours as much as yours.A testing ground for sharing resources.A possible society at community scale.A prototype of collective futures.
Everyone who makes the space possible through their membership fees (€36,65 a month which only go towards our costs, not profit) gets to decide what we use the space for: from co-working to socialising, from personal needs to private events to public talks, screenings, workshops and anything else.
Any member can have direct input at any time; not through a committee, or representative, but personally and immediately. Both the space itself and any surplus income, from member fees or otherwise, are shared resources that every member can use through continuous and directly democratic decision-making; see [3].
Together we can be more free than by ourselves. With plenty of room for individual needs, post-office is above all a place for people to gather and ask, without profit incentive, what do we want? And how can we create that for each other?
As life continues to get more complex, costly and confusing — we need each other more than ever all while having less and less space to do so, both mentally and physically.
And yet, our futures depend on it. We can’t afford to wait on corporations or governments to safe us. We must figure out ways to start saving ourselves. Ways to co-operate. Ways to put all our skills, abilities and resources on a pile and discover what we can, and decide what we want, do with them — together.
So we may become our own tools against powerlessness.
So we may be more free together, than alone.
This is what post-office is ultimately for.
A place to practice, evolve and experience the co-operative values, tools and relationships we need for more democratic and free futures.
Post-office believes in the mantra “from each according to their ability, to each according to their needs.” In our case, post-office’ own ability is to provide space and resources, with its own needs being the total monthly costs of €2250 which includes rent, electricity, etc (see [4]).
At €36.65 per month every member contributes equally to these costs and so every member gets to decide equally what post-office is used for; both the space itself and any surplus resources (see [3] for how we decide that.)
The only additional cost is effort; the baseline membership fee gives access and the chance to have direct input on anything and everything. Using the space, changing the space (inc. these principles), organising events, having a say over other member’s events, deciding who else can join as member: it’s all possible and available, it just takes some effort.
The more you put in, the more you get out.
That doesn’t mean we believe every member has equal opportunity to make that effort, so we also aspire to the equality of unequals. See more below.
Striving for the equality of unequals means recognising the inherent differences between people’s needs and abilities, and tailoring support to account for these differences. This will always be a “striving for” rather than a perfected process. While we have limited resources we encourage members to look out for each other in a few ways.
We consider every single member equal to all others no matter how much effort they put into post-office, how long they’ve been member or how many or few events they have been able to organise. Every member at bare minimum is contributing to the costs of the space and its ability to exist.
So in no circumstance do we tolerate any members playing status games or displaying any sense of superiority over others.
Any form of gossip or bragging/shaming because of effort put into post-office or lack thereof will be considered a conflict (see [6]).
Because everything is democratically decided within post-office, so are new members. While everyone who is on board with our purpose [1] is welcome to join, we only let people apply via existing members.
If you know a member, ask them for an application form directly. If you don’t know one, see below:
We’d like to see post-office as a place to share resources beyond the space itself. One day, with enough members (see [4] for status), we hope to have surplus financial resources to share as well.
For now we share:
So far the pay-it-forward model has seemed to work fairly and pleasantly. Once there’s a surplus to speak of we could consider which amenities to include, or we could collectively decide to increase our monthly costs (and required member count for self-sufficiency) in order to include essentials.
Post-Office is registered as “Post Office Coöperatie U.A.,” reg nr 88653803: a co-operative legal entity within the Netherlands. This gives us the ability to register members as legalised members of the entity too.
Even without legal membership, no single person should hold all power or be the sole-decider of post-office — as that makes the whole collective vulnerable as a whole (if anything happens to that one person, the whole movement suffers). That’s why we recognise the need for decentralizing the legally-backed power inherent in being a legal entity as well.
That being said, there will always be informal hierarchy even as we try to actively fight formal hierarchy. Transparency around this can be found in [4].
Where all members can impact everything all the time.Where the bigger the decision the more people decide.Where all those impacted by a decision get to decide.
💿 Scales and procedures of “CD-D” decision-making
For now, decision making takes place on a members-only Discord server and Whatsapp group.Email us if you’re a member and don’t have access to these tools
Scales:
Applies to: Anything that only impacts you and no one else.
For example: Going to the bathroom, using the kitchen, etc.
Decision making: You do you, no need to involve anyone.
If in doubt: Ask and check in with your fellow members if you’re not sure how to proceed.
Applies to: Things that only impact those immediately and directly around you.
For example: Taking a call, playing music on the speaker, bringing a friend, etc.
Decision making: Simply decide out loud and ask those in the room with you if it’d be ok to take a call, play some music, bring a friend, watch a movie, ask a question, etc.
If in doubt: Ask and check in with your fellow members if you’re not sure how to proceed.
Applies to:📆 Standard events and other uses of the space that are:
For example:One-off and free events, get-togethers, workshops, talks, discussions, screenings, etc, see also [1].
Decision making: Short Consent****Consent means that no one explicitly disagrees, but it doesn’t require everyone to explicitly agree or approve ahead of time. For short consent fellow members need to be given a minimum of 24hrs to voice any potential concerns, questions or explicit disagreement.
If in doubt: Text the informal whatsapp group-chat (members-only) and check in with your fellow members on how to proceed.
Applies to:
For example:Holding an exhibition over an entire weekend, bringing in a non-member to do a pop-up, etc. See more examples of past exceptions where we did rent out the space under “procedure for renting out” below.
Decision making: Medium Consent****Consent means that no one explicitly disagrees, but it doesn’t require everyone to explicitly agree or approve ahead of time. For medium consent fellow members need to be given a minimum of 7 days to voice any potential concerns, questions or explicit disagreement.
If in doubt: Text the informal whatsapp group-chat (members-only) and check in with your fellow members on how to proceed.
Applies to:
For example:Painting the walls a new color, constructing a new wall in the space, changing these principles, joining as a legally recognised member of the legal coöperative that is Post Office Coöperatie U.A., etc.
Decision making: Long consentIn a previous version of these principles, this final decision layer was “consensus.” But for this version we have collectively decided to turn it into long consent; Consent means that no one explicitly disagrees, but it doesn’t require everyone to explicitly agree or approve ahead of time. For long consent fellow members need to be given a minimum of 30 days to voice any potential concerns, questions or explicit disagreement.
While never the default decision-making process, majority voting can always be used in addition. For example for when there are multiple options to decide between, i.e. trying to collectively pick the movie for a movie night, or find the best evening that fits most members schedule. In those cases a simple poll along with the suggested event can work.
It’s possible to replace the core decision-making with majority vote if that is collectively agreed on.Any decision could be decided with majority vote instead of consent but would require consent to do so. Meaning:
For exampleSomeone tries to get long consent in order to paint the floor white. Almost all members are in favour, except for a handful. In this case it could be suggested to move from long consent to a majority vote i.e. if majority of members are in favour then the floor gets painted. BUT, this can only happen if there’s long consent, not on painting the floor, but on moving into this majority decision making. In other words, the members who disagree with painting the floor need to agree with leaving it up to a majority vote first. THEN a majority vote needs to take place, in which the majority votes in favour, and only then can the floor be painted white, despite no previous long consent.
<aside>🚨 All decisions are always openEven in hindsight or after an initial vote we embrace continuous dialogue, disagreement, challenge and counter-challenge by all members at any time.
</aside>
<aside>💶 Financial resources will be decided differently:These scales of decision-making were created for deciding over the use of the space, not its financial resources. We hope in the near-future to have a surplus (see [4] for the status) which will also be available to members to be used via democratic means. The decision-making for these resources are currently being designed by the community.
</aside>
<aside>🗓️ Yearly AssemblyWe are first and foremost a physical space and community. For this reason we will hold a yearly in-person assembly for all members to come together and speak in person.
Members could call on assemblies at anytime or suggest to make them more frequent through long consent.
</aside>
[previous] — [overview] — [next]
Of course a perfect balance is impossible and feelings of unfairness will arise. But when socially working through this, trust and transparency is essential. In some ways transparency is inherent to the space as it’s easy to keep an eye on each other and take notice of each other when within it. But this is also about being transparent about our own feelings, intentions and expectations.
To help each other come into conflict, even minor “conflict”, with as much good faith as possible it’s important to share feelings pre-emptively. Being vulnerable and transparent in this way creates a foundation of trust and further de-escalates any potential for conflict.
<aside>💭 HELP FOSTER A TRUSTING AND TRANSPARENT CULTURE BY KEEPING IN MIND
<aside>🌐 P-O’s OWN TRANSPARENT FINANCIAL STATUSIn the spirit of transparency, the overall financial status of post-office:
<aside>📐 P-O’s INFORMAL HIERARCHY
While within post-office we actively fight formal hierarchy, there is always such as thing at play as informal hierarchy. We believe it is better to transparently acknowledge this than let it continue unmentioned.
The best way to fight this informal hierarchy would be to have more members divide more responsibilities. Please reach out if you’re a member that would like to help.
We are always open to other ideas on how to fight informal hierarchy as well. While informal hierarchy might never fully disappear, the most important thing is that no one is ever afraid of holding another member accountable, no matter who they are.
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[previous] — [overview] — [next]
We believe in forgiveness and ample room for making mistakes, but if responsibility and thus accountability is not taken it can be asked or even lost. While always the result of dialogue and a democratic process (in accordance with [3] and [6]), it can be required that members acknowledge their faults, get their voting rights frozen or in the absolute worst case, their membership revoked.
<aside>👉 Escalation of consequences:
We will always aim to escalate accountability in the following order, with step 1-3 requiring medium consent and step 4 requiring long consent:
[previous] — [overview] — [next]
Conflict is a chance to relate. So when, not if, conflict arises we want to make sure all members seek resolution, together, following the following steps if needed. Of course this does not mean we accept conflict as a chance at status games.
<aside>🙏 Good Faith above all else: work towards mutual understanding and coordinated action, rather than seeking personal advantage or “winning.” This can already prevent the need to escalate conflict, not to mention add to people’s faith in the value of communicating.
</aside>
<aside>📖 We recommend reading up on good faith if it feels vague (this article is a good start), but generally it should be an instinctually compassionate approach to communicating; calling people in, rather than calling them out.
</aside>
<aside><img src="/icons/escalator_red.svg" alt="/icons/escalator_red.svg" width="40px" /> ESCALATING POTENTIAL CONFLICTOf course sometimes conflicts escalate or need to be escalated. In those cases we suggest the following:
<aside>🗄️
ARCHIVE OF PAST CONFLICTS
While conflict is healthy, it can be painful and demanding. That’s why we have this archive of past conflicts so they can continue to provide lessons into the future. The point is not to relitigate these conflicts, but to prevent them from unnecessarily repeating.
This is not an invitation to start dealing in what-if’s either; we focus on dealing with conflict and situations at hand, rather than going into endless abstractions and scenarios.
We ask everyone to remain respectful, mindful and considerate when potentially approaching conflict.
ARCHIVE
[previous] — [overview] — [next]
The only lasting truth is change.” —* Octavia E. Butler
These principles are just a start, they should change.
In fact, as we evolve along with the needs and abilities of our members, striking a balance between collective care and individual interests, we should change altogether.
These principles have already changed once, this is version 2.
Members should always feel free to organize that change, suggest it, and help shape it.
We are for system change, and so we must be a system that can change: as long as we hold on to our diversity of opinions and belief in working together for common futures.
Should anyone ever feel that we’re not open to change or going against this principle, they are urged to escalate the issue as a wider conflict and bring it to the forefront following [6].
To federate, to be highly aligned and loosely connected with other independent groups of people and to share knowledge and resources with them. We are already actively federated with Index Space in NYC and welcome all their IRL members to visit anytime (and vice versa).
<aside>🇳🇱 Nested in the NetherlandsUnfortunately post-office does operate within the legal system of the Dutch Nation State. We’ve tried to do this in a way that most closely reflects our inner principles and values by registering as a cooperative. See [2] for info on getting legalised as a member and how we plan to decentralise power in an accountable way.
</aside>
<aside>🤝 We are an Index node (within the network of Garden3D)We are already actively federated with **Index Space** which in turn falls under Garden3D. As part of their highly aligned and loosely connected network, post-office is open to all IRL NYC members and vice versa—while we retain independence as well. We also share a Code of Conduct.
A third node is coming soon, more info here and here.
</aside>
<aside>🌸 The more the merrierWe’d love to federate with any other groups, whether grassroots organizations or cultural institutions, whether local or in other parts of the world.
</aside>
<aside>🔗 Shout outHere are some groups, spaces and organisations we’re not officially federated with (yet) but feel a close affinity for, have collaborated with in the past or hope to collaborate with in the future:
Post-Office is a member-run space in Amsterdam, built for collaboration, creativity, and co-operative futures. Inspired by Elinor Ostrom’s principles for managing shared resources, we operate as a living experiment in collective freedom and responsibility.
The logic is simple, so we can keep things short and sweet:
Things are insanely messed up in this world.
Things look really, really bad.
As creatives and cultural workers, we feel it.
Our art gets thrown into the extractive social media ether; sapped by media conglomerates that reach lots of people, but not without forcing us to compromise on our artistic integrity first; or, if we’re lucky, channeled into membership/subscription models that might mean financial success and sustenance, but not without some degree of isolation and a lack of real community with other creators.
It feels like culture is dying, being sucked dry by megacorporations and world systems that make it harder for us to survive and, as a result, create.
It feels like we have no more control. It even feels like there isn’t another way.
We’re tired. Very tired.
But we’re here.
Whether we want to be or not.
We’re alive.
Even if it feels like we aren’t at times. Even if it feels like we’re dead people walking. Even if it feels like we’re shells of our former selves.
We’re here.
And there is another way…
The odds are against us.
But that doesn’t mean the odds are relevant…
At the end of the day, all of us have the same two choices:
Remain stagnant, assuming that the worst will happen, feeling the only other option is to sit still and take little-to-no action with naive dreams of things magically changing for the better.
Or…
Actively push for something different with others… by doing things differently.
Very differently.
For 400,000,000 (400M) – the artist collective and federation of worker co-ops behind Jaded Forum – “doing things differently” means:
This means that we work with each other in a horizontal way instead of organizing ourselves under vertical, centralized, and hierarchical exploitation. As a cooperative network, all workers involved have the option to “own” and/or control 400,000,000 institutions together, instead of all operations being dictated from above by a few shareholders who are only interested in a return on investments and profit.
This means that we decide things ourselves, don’t believe in having “representatives” or “delegates” decide all things for us inside or outside of our organizations as a default, and in the cases where we do wish for people within our organizations to represent us on the inside or the outside, we have the option of recalling them instantly if we have an issue or change our minds.
This means that our ultimate aims and goals are around serving the cultural laborers within our organizations, their communities, and the broader subcultures that they nurture (instead of profit or capital accumulation). There is no getting around money and the broader elements of our global economy under our present systems, but we choose to navigate “business” in a way that prioritizes the survival and dignity of the humans who make everything go.
This means that our organizations will account for dynamics around representation, understanding that there are multiple, interconnected layers of oppression impacting different people within our society in different ways (along axes of class, race, gender, sexuality, and more), and that this calls for all of our creative institutions to have measures in place that ensure the most disenfranchised have a say along with everyone else.
This means that we don’t believe borders and nation-state boundaries should limit our collaboration with creatives in other places around the world. We seek to contribute to a global media network where people with shared values in different cultural contexts can reinforce each other's efforts. The logic here is simple: we are stronger together.
This means that we are uninterested in uniting with traditional capitalist firms or governments of any kind (domestic or foreign), and seek to build out on our own platforms/technologies controlled by us + designed to serve the commons (real-world and digital). We understand that, as a means to survive, members of our organizations will each have their own particular relationships with “outside” institutions we consider exploitative or oppressive, but the understanding through 400,000,000 networks is that the spaces we open up will serve as a refuge from the logics that define these institutions and the status quo, and lend themselves to systems change.
Jaded Forum is a show hosted by artists Z and Yedoye Travis that includes community discussion, live performances, and parties. Jaded Forum as a show is produced by 400,000,000 Productions, a multi-stakeholder co-op with various levels of membership.
Have a cooperative or collective in any of the areas below? Reach out, plug in, and let’s federate.
Remember: The legal “co-op” designation does not mean that (1) all co-ops are committed to democracy internally or (2) committed to a more democratic community and/or world. In addition to the quality of what groups are bringing to our network, collective commitment to direct democracy both internally (within respective groups) and externally (within wider communities and society) is what we are most concerned with.
Through 400,000,000 Productions, we intend to generate revenue through equity crowdfunding paired with live events and parties.
Startup capital will be provided by co-op members with optional guarantee of return of principal investment (no interest) once the co-op has become profitable, and we also intend to allow “supporter shares,” which offer angel investors and/or donors the potential for a return of preferred interest, but no guarantees of a return or voting rights in the governance of 400,000,000 co-ops.
We also intend to issue patronage dividends for members of the co-ops once they have become profitable.
Jaded Forum is a show hosted by artists Z and Yedoye Travis that includes community discussion, live performances, and parties. Jaded Forum as a show is produced by 400,000,000 Productions, a multi-stakeholder co-op with various levels of membership.
400,000,000 is a creative collective + federation of cooperatives aiming to provide an alternative model for art, technology, and culture—one that centers cooperation, democracy, and support rather than extraction and profit.
HOW TO WORK BETTER.
1 DO ONE THING AT A TIME
2 KNOW THE PROBLEM
3 LEARN TO LISTEN
4 LEARN TO ASK QUESTIONS
5 DISTINGUISH SENSE FROM NONSENSE
6 ACCEPT CHANGE AS INEVITABLE
7 ADMIT MISTAKES
8 SAY IT SIMPLE
9 BE CALM
10 SMILE
“How to Work Better” is a 10-point manifesto popularized by a Swiss artist duo, adapted from a sign in a Thai ceramic factory. It recasts productivity as an everyday ethic—focus, listening, questioning, clarity, adaptability, humility, simplicity, calm, and kindness—rather than mere output. First made iconic as a Zurich mural in 1991 and reproduced in many formats with hand-lettered stencils, it has since become a widely circulated studio and institutional touchstone. In today’s always-on digital culture, its plainspoken rules hover between cliché and wisdom, prompting reflection on how and why we work.
This chapter first appeared as an article in SD (Space Design) magazine, in March 1969. The concept of the capsule arose from studies started in 1959, using the words 'unit space' and 'cell.' In this article I took an iconoclastic position in order to penetrate the existing order, break down architecture into units for individuals and then seek to establish a new order. This thesis also relates to the quest for a new image of man and a new community amidst the flux of contemporary society, which are central points to my book Homo Mavens, published in September of the same year.
The capsule is cyborg1 architecture. Man, machine and space build a new organic body which transcends confrontation. As a human being equipped with a man-made internal organ becomes a new species which is neither machine nor human, so the capsule transcends man and equipment. Architecture from now on will increasingly take on the character of equipment. This new elaborate device is not a 'facility,' like a tool, but is a part to be integrated into a life pattern and has, in itself, an objective existence.
The word 'capsule' usually conjures up either a capsule containing medicine or the living quarters of an astronaut. The capsule referred to here is a capsule without which what is contained in it would be perfectly meaningless. For example, a spaceship is such a capsule. The capsule which protects the astronaut from space or from very high temperatures or other hazards differs in essence from containers such as coffee cups in that it creates an environment peculiar to itself. A rupture in the capsule, however small, would instantly upset the internal equilibrium and destroy the strictly controlled environment in it. Such a device and the life in it depend on each other for their existence and survival.
Almost all devices which have been introduced into human society since the Industrial Revolution perform the role of a tool. The automobile, for example, is a means of transport used in lieu of the horse. Electric power is a tool which gives light to man at night. These products of modern civilization are intended to make life more convenient. Cyborg architecture, on the other hand, is an object in itself. The human being in the capsule and the film which protects his life constitute a new existence which did not exist in the past.
Human beings may not actually have to be remodelled into cyborgs. Instead, they will equip themselves with various devices with which to perform complicated roles which are beyond their capabilities as living creatures. But without those devices they will be unable to perform their roles in society. A device which has become a living space itself in the sense that a man cannot hope to live elsewhere is a capsule. And signs of such a development are beginning to appear around us.
A capsule is a dwelling of Homo mavens. The rate at which city dwellers move home in the United States is around 25 percent a year. Soon the rate in Japan will exceed 20 percent a year. Urban size can no longer be measured in terms of night-time (residential) population. The night-time population taken together with the day-time population, or the pattern of movement of the population throughout the day, will become the index of the features of city life. People will gradually lose their desire for property such as land and big houses and will begin to value having the opportunity and the means for free movement. The capsule means emancipation of a building from land and signals the advent of an age of moving architecture.
The disintegration of a community and the unusual upsurge in migration indicate the advent of capsule space as the new form of dwelling, in the shape, for example, of the mobile home. The future is anticipated in the fact that in the United States over 5 million people own mobile homes, and the mobile home has become so popular there that it is long past being regarded as a dwelling for gypsies or seasonal workers. Even a considerable number of white-collar workers live in mobile homes. In America today there are about 1,500 mobile home parks under public management. They are equipped with green areas, electricity, tap water and telephone lines. Anyone who parks a mobile home there can use public facilities in the same way as a town or city.
The growth in popularity of mobile homes can be explained partly by the unusual increase of population mobility in the United States. Because of the high fluidity of the labor market, there is a high level of mobility of workers from job to job. Workers often sell their homes and buy new ones in changing their jobs, but some workers own quite luxurious mobile homes and simply drive their homes to the new places of work. High mobility has become a pattern of life.
California has many trailer parks and the cities along the West Coast are designed for motorists with a large proportion of land given to roads. Low population density and the wide extent of city areas make this desirable.
A capsule dwelling can be seen as an expanded form of a house. For example, a car can be considered a room. People who spend much of their time out of their homes 'live' in their cars for a considerable part of their time. In recognition of this fact the car industry has made the interiors of automobiles luxurious, with stereos, reclining seats and air conditioners making a car become a compact room. The car is now no longer merely a means of transport; its interior space is beginning to take on architectural meaning. We are spending an increasing number of hours in cars and our desire to enjoy our time there stimulates the trend of cars to become extensions of dwellings.
If we assume that the capsule is a moving house of Homo mavens, it need not necessarily be a wheeled home like a mobile home. We should think, rather, in terms of what was considered a tool in the past being converted into architecture.
Changes in living conditions will also require capsulization of dwellings. J Fourastier said that an age would come when people need to work only four hours a week. Certainly, the time will soon come when we need not work as long as we do now, when the cycle of our daily life, which is based on the unit of a week, will change. The week will become shorter and the weekend develop and become more important. The week will consist of four days—Monday, Tuesday, Wednesday and Thursday—and the weekend of three days—Friday, Saturday and Sunday. The cycle of our life will be split into two, and we will spend the week in a stationary dwelling, such as a downtown apartment or home, and we will ride in a mobile capsule at the weekend and go to the seashore or mountains or countryside. The capsule will then be a necessity of daily life.
An interesting diversity in the pattern of our relaxation will also stimulate the capsulization of dwellings. The custom of having a fixed second house for recreation will gradually die out and leisure activities will become more diverse. People will begin to spend the summer in different places each year. A movable leisure house will then be more convenient than a conventional villa. Perhaps the house as permanent abode should be in a fixed place but if the choice exists most people would want to have second homes in different places each year. At any rate, it is unquestionable that the pattern of leisure activities will be increasingly dynamic in future.
A mobile home or something like that will therefore fit the need. It need not necessarily be a motor home molded as one piece. It may be a panel-type home which can be assembled on the spot by putting together twenty or thirty panels, like sliding doors, by simply tightening nuts and bolts. It can be considered a capsule of a technologically different category.
In the past, when an urban area in Japan had to be mapped out, it would be plotted on the basis of night-time population. But it often happened that a city plotted this way was almost empty in the day-time. The reasons may be many. People living in the suburbs may be in the centre of the town in the day-time to work or attend school. People registered as residents and as night-time population of a given area usually move about in a larger area. So we must re-examine a city to find the difference between the night-time and day-time populations or plot one populated in day-time only. We have to see the actual condition of Homo mavens as the dynamic condition of a city. For this purpose, we may have to consider the problem of what sort of space Homo mavens inhabits.
Trains in America used to be very much like houses. They were equipped with bedrooms, parlors, restaurants and even bars, as well as desks and telephones. They were moving houses with all the conveniences of modern civilization. They may be called capsules because people lived in them and moved in them. And with jumbo jets a large number of people spend much of their time in the air and entrust their lives to a capsule.
Thus, there are two forms of capsulization. In one, a dwelling becomes a tool and is capsulized. In the other, tools or devices, such as automobiles, trains and aircraft, become dwellings and are capsulized.
A stately mansion with a large tract of land is a status symbol today but in the future the space and tools for free movement will be the status symbols.
The capsule suggests a diversified society. We strive for a society where maximum freedom for individuals is sanctioned and where there is a wide range of options. In an age when organizations and society determined the city space, the infrastructure formed the physical environment of the city. In contrast, the capsule expresses the individuality of an individual—his challenge to an organization and his revolt against unification.
When we examine the various forecasts for the future, we find a polarization of views. At one extreme, a highly organized society is posited and at the other, a highly diversified society. Teilhard de Chardin, in Man as Phenomenon, visualized a convergence of mankind one million years from now into what is called Point Omega. In Future of Man, Medawar envisaged a heterogeneous society where all of its members are highly individualized and evolving in different directions.
I believe that our society will be and should be diversified. A society in which the individual is happy is one in which each person can display his individuality and yet social order is maintained, where greater freedom and a larger variety of options are possible. However, this cannot be achieved without examining the balance between the individual and society.
This problem pertains to technical forecasts of future societies. When we consider the process by which an urban society is designed or its environments formed, we find that it is not mechanically created by city planners or architects through the application of technology. For example, roads, energy and communications are communal systems but are nothing more than that. They support human activities but are, so to speak, 'generators' which goad man to demand a freer life. A generator cannot be the goal of life, the construction of a road cannot be the goal of society—the Shinkansen, the 'Bullet Train,' a standard-gauge high-speed railway line, is only a social service. Such things are only facilities and goads to man to endeavor to construct a more diversified society.
Future society should be constituted of mutually independent individual spaces, determined by the free will of individuals. Systems are necessary but our policy should be to develop the possibility of acquiring greater spaces for individuals on the basis of system, not one to reduce the spaces for individuals to conformity through the instrument of system. Given this proposition, each space should be a highly independent shelter where the inhabitant can fully develop his individuality. Such space is a capsule. This is the meaning of the proposition that the capsule aims at a diversified society.
The capsule is planned for perfectly free action, formed for perfectly free movement. The system, too, has its own type of movement. The movements of the capsule and the movements of the system are sometimes contradictory and sometimes coincide. The growth of the system sometimes triggers the grouping of capsules. In other words, the theory of multiple structure—that a system (and its units which are generated in the system) should have its independent laws of motion—also applies here.
The capsule is intended to institute an entirely new family system centered on individuals. The housing unit based on a married couple will disintegrate, and the family relationships between a couple, parents and children will be expressed in terms of the state of docking of many capsules of individuals' spaces.
If we are to look for space where the creative spirit of individuals is given free play we will have to reconsider the nature of our housing. In pre-war Japan, where there was an extended family system based on patriarchy, the most important space in a house was the space where the paterfamilias received guests. The drawing room was more important than the living room of the family. The room where the family ate and slept was on the less attractive northern side of the house. Since the war it has become the norm to regard the married couple as the most important part of the household and now the center of the house is the bedroom and living room of the couple, with spaces for children built later as additional units.
However, the housing of the future will be, I think, an aggregate of spaces for individuals. The existence of a married couple presupposes the existence of individuals but not vice versa. Individuals, both male and female, have capsules of their own when they are single. When a man and a woman marry, they will furnish their respective spaces to form a necessary space for themselves as individuals—living space for the couple will not be provided first and rooms added later for individuals around it. A living room comes into being when a minimum necessary unit space which enables an individual to live as an individual encounters with another such unit space and facilities for common use are born. When I designed a housing capsule for the Theme Pavilion of Expo '70, I intended to create a house which would come into existence when such spaces for individuals are mass-produced and grouped together.
If a household forms an aggregate of individuals, the landscape of future cities will be determined, not by expressways or skyscrapers, but by a colossal aggregate of individual unit spaces. Certainly, such housing will be a far cry from the traditional 'home sweet home.' But I do not mean that the love between husband and wife or between parents and children will be neglected. Rather, the new concept is aimed at abolishing the housing unit centered on the married couple or parents and children and establishing a new idea of a household which attaches importance to the encounter of spaces for individuals.
The true home for capsule dwellers, where they feel they belong and where they satisfy their inner, spiritual requirements, will be the metapolis. If the result of the docking of capsules is called a household, then docking capsules and communal space forms social space. The plaza as a religious space, symbol of authority or setting for commercial transactions disintegrates, and the public space with which individuals identify themselves will make the metapolis the new quasi-domestic haven. A self-sufficient community where the daily round is completed within a closed circle will perish. A haven will become a spiritual domain transcending concrete everyday space.
For, if people acquire such capsule spaces and begin to move more freely, will they still not need a spiritual haven? Otherwise one might suppose that frustration might drive them insane. Will not the concept of an 'ancestral home' totally die out in such an age?
The idea of the family home is still a strong one to many Japanese in urban areas. The overwhelming majority of today's urban population are second-generation city people but their parents or grandparents came to the cities from surrounding agricultural areas. This is common to all cities, not Tokyo alone. The concept is strong even though not all such city-dwellers have a family home where their parents or grandparents live. The average Japanese city-dweller's notion of a family home is very abstract. He would put it in this way: 'I'm told that my ancestors came from Kyushu, but I have neither an ancestral tomb nor a home in Kyushu.'
The notion of family home will become increasingly abstract hereafter. Man will become correspondingly less capable of great mobility without some spiritual support or spiritual haven to take the place of his concept of a family home—notwithstanding the greater convenience or physical comfort. The more mobile man becomes, the greater his longings for a haven.
When we search for it, we first think of nature. Nature is a more abstracted form of family home than such individual birthplaces as Kyushu or Hokkaido, and the feeling for nature is closely akin to that for a family home. The feeling which a city-dweller entertains about nature is an abstract form of his feelings about his family home.
I feel, however, that men's spiritual haven in a future community will take a slightly different form. I think that men living in a city are going to build a new one. The feeling which people show when flocking to a plaza or square or taking part in a demonstration or holding a festival seems to reveal what such a spiritual haven might be.
The response which men feel in such a place differs from the family-home-consciousness evoked by nature in that it is created by the sharing of a certain common social space. It is manifest where many people live together instead of separately in isolated places. It is a repose which one finds in the midst of a large city. While the home consciousness is identified with some specific region or community, the spiritual repose which one finds in a large city is related to human solidarity, the equipment of the city or a symbolic space in the city.
Then what type of urban space can furnish such repose?
A public space, terminal, department store, hotel or university campus can serve. All these places are where a large number of people flock together and where, in a sense, the architecturalization of the street is found. A facility in which a city-dweller can find repose should be one which permits multiple choices. Take a hotel for example. There one can put up for the night, meet other people, hold a conference, give a wedding ceremony, or swim in a pool. The development of such a multi-purpose space is progressing in hotels, and it can be said that hotels are becoming the center of a capsule space and a new spiritual haven.
How about universities? At present, campuses are spaces within a city but separated from the whole. However, universities will increasingly take on the character of cities in the future. Universities will cease to be spaces where only the elite study but will be socially open. Campuses will no longer be places for research and education alone but will become forums for the public, housing for the students and parks at the same time. They will increasingly become multi-purpose spaces.
A Japanese department store functions as an adult education area and as a place where a large variety of activities are possible. The width of choice will become a very important factor of an information center or a space for common use. Our department stores provide a variety of data on such things as current trends in school education, cooking, new fashions and new household appliances. If an art exhibition is being held there, you come into contact with the latest trends in fine arts. Like the agora of a Greek city, a department store today is a multi-purpose information center and a place of public entertainment.
A terminal is the junction of different means of public transport, and a large number of people meet or at least encounter each other there. Because such shopping and leisure facilities as department stores are usually built at terminals, there are ample opportunities for a terminal to grow into a space for common use for capsules.
In large cities of the future, a large number of new-style plazas and squares, a large number of new-style homes, will come into being where individual capsules will be docked to each other and create a social space. Such space may be called a haven within a city, as opposed to a haven outside the city, remote from the city.
The conventional community centers of public hall, park and marketplace will then lose their place as the center of city life. Independently of such spaces for daily life, a starting point of spiritual life—an information center—will come into existence, and a new type of community where individuals flock together will emerge. Such a community may be called a 'temporal community' as opposed to the conventional regional community.
The capsule is a feedback mechanism in an information-oriented, a 'technetronic'2 society. It is a device which permits us to reject undesired information. Our society is emerging from the industrial age and entering a technetronic age. The industrial pattern based on the manufacturing industries is changing into one based on information industries, such as the knowledge industry, education industry, research industry, publishing industry, advertising industry and leisure industry. To protect us from the flood of information and the one-way traffic in information, we should have a feedback mechanism and a mechanism which rejects unnecessary information. The capsule serves as such a space.
A technetronic society will not automatically form if the present information-processing system develops further on existing lines. Proof of this is to be found in current information media. Whether through television or radio or newspapers, a large amount of information flows to us from a central station. We can make a choice by turning the channel knob on the TV receiver, and this is probably the only choice we have, but we cannot totally reject the deluge of information. In the present age, we cannot totally reject such information, and still less is it possible to issue instructions to the key station to send only such information as we want to have, because we have no feedback mechanism.
Just as an astronaut is protected by a perfect shelter from solar winds and cosmic rays, individuals should be protected by capsules in which they can reject information they do not need and in which they are sheltered from information they do not want, thereby allowing an individual to recover his subjectivity and independence.3
1. 'Cyborg': a cybernated organism, hence an organism which is partly automated, based on feedback and information processes; usually appears in science fiction as half man, half machine.
2. This term is taken from Zbigniew Brzezinski's Between Two Ages: America's Role in the Technetronic Era, Viking Press, New York 1970. It is a contraction of 'technological' and 'electronic.'
3. The capsule is defined as a space which guarantees complete privacy for the individual. It assures the physical and spiritual independence of the individual.
Kisho Kurokawa's "Capsule Declaration," originally titled "Oh!サイボーグの掟" (Oh! The Code of the Cyborg), was published in SD (Space Design) magazine's March 1969 issue and became foundational to the Metabolist architectural movement. The 26-year-old Japanese architect envisioned capsules as minimal living units that could function as "cyborg architecture" – an extension of human beings that merged man, machine, and space into a new organic body. Kurokawa declared that capsules would liberate architecture from fixed land, enable a diversified society with maximum individual freedom, and institute an entirely new family system centered on individuals rather than traditional married couples. The manifesto represented a radical departure from conventional architecture, proposing mobile, prefabricated living units that could adapt and change according to human needs, embodying the Metabolist philosophy of architecture as a living, evolving organism. This visionary document laid the theoretical groundwork for Kurokawa's later iconic projects, including the Nakagin Capsule Tower in Tokyo (1972), which became one of the few built examples of Metabolist capsule architecture.
Humanism is a progressive philosophy of life that, without supernaturalism, affirms our ability and responsibility to lead ethical lives of personal fulfillment that aspire to the greater good of humanity.
The lifestance of Humanism—guided by reason, inspired by compassion, and informed by experience—encourages us to live life well and fully. It evolved through the ages and continues to develop through the efforts of thoughtful people who recognize that values and ideals, however carefully wrought, are subject to change as our knowledge and understandings advance.
This document is part of an ongoing effort to manifest in clear and positive terms the conceptual boundaries of Humanism, not what we must believe but a consensus of what we do believe. It is in this sense that we affirm the following:
Knowledge of the world is derived by observation, experimentation, and rational analysis. Humanists find that science is the best method for determining this knowledge as well as for solving problems and developing beneficial technologies. We also recognize the value of new departures in thought, the arts, and inner experience—each subject to analysis by critical intelligence.
Humans are an integral part of nature, the result of unguided evolutionary change. Humanists recognize nature as self-existing. We accept our life as all and enough, distinguishing things as they are from things as we might wish or imagine them to be. We welcome the challenges of the future, and are drawn to and undaunted by the yet to be known.
Ethical values are derived from human need and interest as tested by experience. Humanists ground values in human welfare shaped by human circumstances, interests, and concerns and extended to the global ecosystem and beyond. We are committed to treating each person as having inherent worth and dignity, and to making informed choices in a context of freedom consonant with responsibility.
Life’s fulfillment emerges from individual participation in the service of humane ideals. We aim for our fullest possible development and animate our lives with a deep sense of purpose, finding wonder and awe in the joys and beauties of human existence, its challenges and tragedies, and even in the inevitability and finality of death. Humanists rely on the rich heritage of human culture and the lifestance of Humanism to provide comfort in times of want and encouragement in times of plenty.
Humans are social by nature and find meaning in relationships. Humanists long for and strive toward a world of mutual care and concern, free of cruelty and its consequences, where differences are resolved cooperatively without resorting to violence. The joining of individuality with interdependence enriches our lives, encourages us to enrich the lives of others, and inspires hope of attaining peace, justice, and opportunity for all.
Working to benefit society maximizes individual happiness. Progressive cultures have worked to free humanity from the brutalities of mere survival and to reduce suffering, improve society, and develop global community. We seek to minimize the inequities of circumstance and ability, and we support a just distribution of nature’s resources and the fruits of human effort so that as many as possible can enjoy a good life.
Humanists are concerned for the well being of all, are committed to diversity, and respect those of differing yet humane views. We work to uphold the equal enjoyment of human rights and civil liberties in an open, secular society and maintain it is a civic duty to participate in the democratic process and a planetary duty to protect nature’s integrity, diversity, and beauty in a secure, sustainable manner.
Thus engaged in the flow of life, we aspire to this vision with the informed conviction that humanity has the ability to progress toward its highest ideals. The responsibility for our lives and the kind of world in which we live is ours and ours alone.
The Humanist Manifesto III, published in 2003 as "Humanism and Its Aspirations," is the latest in a series of manifestos articulating the philosophy and goals of modern humanism. The first Humanist Manifesto was released in 1933, authored by a group of 34 scholars and thinkers, including philosopher John Dewey, and reflected a utopian optimism about human progress through reason and science. The second version, published in 1973, responded to the challenges and disillusionments of the mid-20th century, emphasizing human rights, social justice, and the need for global responsibility.
The third manifesto builds on these foundations, reaffirming the importance of ethics rooted in human experience rather than supernatural beliefs. It was drafted by leading humanists such as Paul Kurtz and Edwin H. Wilson, with input from a broad coalition of humanist organizations. The document stresses the use of reason, science, and compassion to address human needs, and encourages individuals to find meaning and fulfillment through meaningful relationships, civic engagement, and efforts to improve society. Ultimately, the Humanist Manifesto III calls for a commitment to human dignity, planetary stewardship, and the shared pursuit of a better world.
A declaration of the principles of the cypherpunk movement, advocating for the use of cryptography and privacy-enhancing technologies as a route to social and political change. It emphasizes the importance of privacy in the digital age and the role of technology in protecting individual freedoms.
Do not do to others what you would not have them do to you. What we demand of others and of society should correspond to, and stay within, the bounds of what we demand of ourselves.Take a lot of interest in history and past experience, but also seek out new knowledge. Be imaginative. Think about things that have not happened yet.Use your own way of being, in an existentialist manner, to set the standard, and determine moral codes and rules of behavior.Harmonize your external appearance with your innermost thoughts. What we present to the outside world should be congruent with the quality of our inner world. We see a lot of discordance between what a person appears to be and what a person really is nowadays, but the harmony between the two is actually how an individual becomes an individual.Do things in life by non-interference and lead a life through natural rhythms. The human mind and nature are sometimes contradictory forces, but let nature take its course. By “nature,” Chinese people refer to the laws of the universe.Find out what “I” means and find your own identity. Who I am should be consistent with what I do, how I behave, and how I act. Persist, no matter what people say.Do the right thing without hesitation. Don’t let society’s constraints and expectations prevent you from pursuing the truth. Life is important. But life without meaning is not worth living.Do not become attached to worldly possessions and do not pity yourself on the grounds of unfavorable conditional material circumstances. Happiness, without outside influence, should be complete in its own right.Be modest, open-minded, and receptive like an echoing canyon. The more you know, the more you realize how much you don’t know. Facing the vast mystery of the universe, our individual experiences are insignificant and not worth mentioning.Be true in word and resolute in deed. Keep your word; what is said should be done. With everything we do, we should persist until it is completed.
Ai Weiwei is one of the most important artists and activists working today. His work, which addresses political oppression and the power dwelling within a human being has communicated messages of freedom and empowerment to millions of people worldwide. Here, the extraordinary artist shares his 10 rules for art and living.
“We are uncovering better ways of developing software by doing it and helping others do it. [...] Individuals and interactions over processes and tools. Working software over comprehensive documentation.”
A declaration promoting agile software development principles, emphasizing individuals, collaboration, and responsiveness to change.
A filmmaking movement founded by Danish directors Lars von Trier and Thomas Vinterberg in 1995. The manifesto and its accompanying 'Vow of Chastity' contained a set of rules designed to simplify filmmaking by rejecting expensive special effects, post-production modifications and other technical gimmicks, focusing instead on story, acting, and theme.
==Phrack Inc.==
Volume One, Issue 7, Phile 3 of 10
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The following was written shortly after my arrest...
\/\The Conscience of a Hacker/\/
by
+++The Mentor+++
Written on January 8, 1986
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Another one got caught today, it's all over the papers. "Teenager
Arrested in Computer Crime Scandal", "Hacker Arrested after Bank Tampering"...
Damn kids. They're all alike.
But did you, in your three-piece psychology and 1950's technobrain,
ever take a look behind the eyes of the hacker? Did you ever wonder what
made him tick, what forces shaped him, what may have molded him?
I am a hacker, enter my world...
Mine is a world that begins with school... I'm smarter than most of
the other kids, this crap they teach us bores me...
Damn underachiever. They're all alike.
I'm in junior high or high school. I've listened to teachers explain
for the fifteenth time how to reduce a fraction. I understand it. "No, Ms.
Smith, I didn't show my work. I did it in my head..."
Damn kid. Probably copied it. They're all alike.
I made a discovery today. I found a computer. Wait a second, this is
cool. It does what I want it to. If it makes a mistake, it's because I
screwed it up. Not because it doesn't like me...
Or feels threatened by me...
Or thinks I'm a smart ass...
Or doesn't like teaching and shouldn't be here...
Damn kid. All he does is play games. They're all alike.
And then it happened... a door opened to a world... rushing through
the phone line like heroin through an addict's veins, an electronic pulse is
sent out, a refuge from the day-to-day incompetencies is sought... a board is
found.
"This is it... this is where I belong..."
I know everyone here... even if I've never met them, never talked to
them, may never hear from them again... I know you all...
Damn kid. Tying up the phone line again. They're all alike...
You bet your ass we're all alike... we've been spoon-fed baby food at
school when we hungered for steak... the bits of meat that you did let slip
through were pre-chewed and tasteless. We've been dominated by sadists, or
ignored by the apathetic. The few that had something to teach found us will-
ing pupils, but those few are like drops of water in the desert.
This is our world now... the world of the electron and the switch, the
beauty of the baud. We make use of a service already existing without paying
for what could be dirt-cheap if it wasn't run by profiteering gluttons, and
you call us criminals. We explore... and you call us criminals. We seek
after knowledge... and you call us criminals. We exist without skin color,
without nationality, without religious bias... and you call us criminals.
You build atomic bombs, you wage wars, you murder, cheat, and lie to us
and try to make us believe it's for our own good, yet we're the criminals.
Yes, I am a criminal. My crime is that of curiosity. My crime is
that of judging people by what they say and think, not what they look like.
My crime is that of outsmarting you, something that you will never forgive me
for.
I am a hacker, and this is my manifesto. You may stop this individual,
but you can't stop us all... after all, we're all alike.
+++The Mentor+++
The Conscience of a Hacker (also known as The Hacker Manifesto) is a short essay written on March 18, 1986, by Loyd Blankenship, a computer security hacker who went by the handle The Mentor, and belonged to the second-generation hacker group Legion of Doom.
It was written after the author's arrest, and first published in the underground hacker ezine Phrack. It can be found on many websites, as well as on T-shirts and in films.
A manifesto that called for a return to humanist aspects of design in response to the increasing commercialization of the profession. It was a reaction against the consumer culture that was dominating design and advertising, urging designers to use their talents for more worthwhile purposes. Written by Ken Garland and 20 other designers, photographers and students
A declaration by the Second Vatican Council that addresses the Catholic Church's stance on religious freedom. It affirms the right of all people to religious freedom and freedom from coercion in matters of faith, while maintaining the Catholic Church's claim to religious truth. The document marked a significant shift in the Church's approach to religious liberty and its relationship with the modern world.
“We are people of this generation, bred in at least modest comfort, housed now in universities, looking uncomfortably to the world we inherit. [...] We seek the establishment of a democracy of individual participation.”
A political manifesto written by the Students for a Democratic Society (SDS), primarily authored by Tom Hayden. It critiqued American society for its complacency, militarism, and racial inequality, while advocating for participatory democracy, civil rights, and an end to the Cold War. The document became a foundational text for the New Left movement of the 1960s and influenced student activism throughout the decade.
A milestone document in the history of human rights, drafted by representatives with different legal and cultural backgrounds from all regions of the world. The Declaration was proclaimed by the United Nations General Assembly in Paris on 10 December 1948 as a common standard of achievements for all peoples and all nations. It sets out fundamental human rights to be universally protected.
Tristan Tzara was a French poet and essayist, famous for founding Dada in Zurich in 1916 and writing the founding manifesto. Spanning a wide variety of mediums and forms – from photography and performance art to painting and collage – the Dada movement was born out of a reaction against nationalism and rationalism, which these artists believed to have caused the First World War.
“Surrealism rests in the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. [...] Pure psychic automatism, by which one proposes to express [...] the actual functioning of thought.”
Outlined the principles of Surrealism, emphasizing the unconscious mind, dreams, and the irrational as sources of artistic inspiration.
A feminist manifesto that embraces technology and alienation as tools for gender emancipation. It rejects both technophobia and essentialism, advocating for the repurposing of existing technologies to overcome gender oppression and biological constraints.
A manifesto that envisions a future where humanity has solved major contemporary problems like climate change and inequality through sustainable technology, social justice, and radical cooperation. It combines environmental consciousness with optimism about technology and human potential.
“We intend to sing the love of danger, the habit of energy and fearlessness. [...] We affirm that the world’s magnificence has been enriched by a new beauty: the beauty of speed. [...]”
An artistic manifesto celebrating modernity, technology, and youth, while rejecting the past and traditional forms of art.
“Another world is possible. [...] We stand for the cancellation of the external debt of Southern countries [...] and the dismantling of tax havens.”
A proposal for social change from the World Social Forum, outlining measures for economic justice, peace, and democratic reform.
A scientific approach to creating and managing startups, developed by Eric Ries. It advocates for validated learning, scientific experimentation, and iterative product releases to shorten product development cycles, measure progress, and gain valuable customer feedback. The methodology aims to help startups work smarter, eliminate uncertainty, and build products that customers actually want.
A manifesto that challenges the 'cult of speed' in modern society and advocates for a cultural shift toward slowing down. It argues that the obsession with doing everything faster has resulted in a world of frenetic activity with little meaning or connection.
“The next century can be and should be the humanistic century. [...] Using technology wisely, we can control our environment, conquer poverty, [...] and provide the means for all people to enjoy life.”
An updated humanist manifesto addressing contemporary issues, advocating for human rights, democracy, and secularism.
“The Industrial Revolution and its consequences have been a disaster for the human race. [...] We therefore advocate a revolution against the industrial system.”
A controversial manifesto criticizing industrial society and advocating for a return to nature, associated with a series of bombings.
“Markets are conversations. [...] Companies that don’t realize their markets are now networked person-to-person [...] are missing their best opportunity.”
A set of 95 theses examining the impact of the internet on marketing, claiming that markets are conversations and advocating for more human, authentic corporate communication.
A radical feminist art manifesto that explores the intersection of technology, body politics, and feminism. It challenges patriarchal structures in cyberspace and technology, declaring 'we are the virus of the new world disorder' and advocating for a feminist approach to digital technologies.
Written by a group called ELECTRONIC MINDS, this manifesto outlines the cyberpunk ethos and worldview. It describes cyberpunks as technological rebels who live in cyberspace, value freedom of information, and see themselves as distinct from mainstream society. The manifesto addresses themes of technology, society, control, and freedom in the digital age.
“I swear to submit to the following set of rules [...] Shooting must be done on location. Props and sets must not be brought in. [...] The film must not contain superficial action.”
A filmmaking manifesto rejecting special effects and technology, emphasizing traditional storytelling and acting.
“Woman is born free and lives equal to man in her rights. [...] The law must be the expression of the general will; all female and male citizens must contribute [...] to its formation.”
A response to the Declaration of the Rights of Man, advocating for gender equality and women's rights.
A manifesto by an anonymous group of feminist artists challenging sexism and racism in the art world. Using provocative statistics, humor, and direct action, they expose discrimination in museums, galleries, and cultural institutions while advocating for greater diversity and representation.
“BECAUSE us girls crave records and books and fanzines that speak to US [...] BECAUSE we are angry at a society that tells us Girl = Dumb, Girl = Bad, Girl = Weak.”
A feminist punk manifesto addressing issues like sexism, rape, and female empowerment, central to the Riot Grrrl movement.
“The time has come for widespread recognition of the radical changes in religious beliefs [...] Religion must formulate its hopes and plans in the light of the scientific spirit and method.”
A public declaration outlining the philosophical and religious perspectives of humanism. It rejected supernaturalism and affirmed that humans have the ability and responsibility to lead ethical lives without religion, advocating for a naturalistic worldview based on reason and science.
A manifesto written by Argentine filmmakers Fernando Solanas and Octavio Getino in the late 1960s that called for a revolutionary cinema in opposition to both Hollywood commercial cinema (First Cinema) and European art cinema (Second Cinema). It advocated for films that would raise political consciousness and inspire revolutionary action in the Third World.
A radical feminist manifesto that argues for the elimination of the male sex and the creation of a new female society. Written with provocative and satirical elements, it presents a scathing critique of patriarchal culture and institutions.
A foundational document of the Surrealist movement written by André Breton. It advocates for the liberation of the mind and imagination from rational thought, embracing dreams, the unconscious, and chance as sources of artistic creation. The manifesto rejects conventional logic and reason in favor of accessing deeper truths through the exploration of the irrational and the marvelous.
“The ultimate aim of all visual arts is the complete building! [...] Architects, sculptors, painters [...] must return to the crafts! [...] Let us create a new guild of craftsmen, without the class distinctions that raise an arrogant barrier between craftsman and artist.”
A foundational text for the Bauhaus School, advocating for the unity of art, craft, and technology, with an emphasis on functional, minimalist design and the integration of artists into industrial production.
Walter Gropius was a German architect who founded the Bauhaus movement in 1919, by merging two schools for applied and fine arts in the Weimar Republic. His aim was to found a school that would operate as a centre for industry and crafts, with teaching administered through practical workshops. The manifesto consisted of a four-page pamphlet printed in 1919, in which Gropius announced that in his school, architecture, sculpture and painting would return to craft.
MANIFEST I OF “THE STYLE”, 1918. 1. There is an old and a new consciousness of time.The old is connected with the individual.The new is connected with the universal.The struggle of the individual against the universal is revealing itself in the world-war as well as in the art of the present day. 2. The war is destroying the old world with its contents: individual domination in every state. 3. The new art has brought forward what the new consciousness of time contains:a balance between the universal and the individual. 4. The new consciousness is prepared to realise the internal life as well as the external life. 5. Traditions, dogmas and the domination of the individual are opposed to this realisation. 6. The founders of the new plastic art therefore call upon all, who believe in the reformation of art and culture, to annihilate these obstacles of development, as they have annihilated in the new plastic art (by abolishing natural form) that, which prevents the clear expression of art, the utmost consequence of all art notion. 7. The artists of to-day have been driven the whole world over by the same consciousness, and therefore have taken part from an intellectual point of view in this war against the domination of individual despotism. They therefore sympathize with all, who work for the formation of an international unity in Life, Art, Culture, either intellectually or materially. 8. The monthly editions of “The Style”, founded for that purpose, try to attain the new wisdom of life in an exact manner. 9. Co-operation is possible by:I. Sending, with entire approval, name, address and profession to the editor of “The Style”.II. Sending critical, philosophical, architectural, scientific, literary, musical articles or reproductions.III. Translating articles in different languages or distributing thoughts published in, “The Style”.
A modernist literary and artistic manifesto by Ezra Pound published in the journal BLAST in 1914. It defines Vorticism as a movement focused on energy, efficiency, and the primary expression of concepts and emotions. The manifesto positions Vorticism against Futurism and Impressionism, emphasizing the importance of the image as the primary medium of poetic expression and rejecting mimicry in favor of direct presentation.
The Russian painter Wassily Kandinsky wrote this shortly after completing the watercolour Untitled, often considered to be the first ever abstract painting. Having progressed his work through early influences of Russian folk art and Post-Impressionism, he arrived at his colourful and emotive abstract works, informed by his belief in painting as an expression of the artist's inner life.
1. When our Lord and Master Jesus Christ said, “Repent” (Matthew 4:17), he willed the entire life of believers to be one of repentance. [...] 86. Again, “Why does not the pope, whose wealth today is greater than the wealth of the richest Crassus, build this one basilica of St. Peter with his own money rather than with the money of poor believers?”
Martin Luther's critique of the Catholic Church's sale of indulgences, sparking the Protestant Reformation.
“A spectre is haunting Europe — the spectre of communism. [...] The history of all hitherto existing society is the history of class struggles. [...] Workers of the world, unite! You have nothing to lose but your chains!”
A political pamphlet written by Karl Marx and Friedrich Engels, commissioned by the Communist League and originally published in London in 1848. The manifesto laid out the League's purposes and program, arguing that class struggles, or the exploitation of one class by another, are the motivating force behind all historical developments.
“Men are born and remain free and equal in rights. [...] The aim of all political association is the preservation of the natural [...] rights of man. These rights are liberty, property, security, and resistance to oppression.”
A fundamental document of the French Revolution, asserting individual and collective rights of all the estates of the realm as universal.
Sir Joshua Reynolds, the first President of the Royal Academy, delivered a series of lectures to students between 1769 and 1790. His Discourses on Art elevated art as an activity of the mind, not the hand, and called on painters to imbue their work with much more than simply what they saw in front of them.
A document that announced the separation of the thirteen American colonies from Great Britain and declared them free and independent states. It articulates the fundamental ideas that form the American nation: all men are created equal and have the unalienable rights of life, liberty, and the pursuit of happiness. The document also outlines the grievances against King George III that justified the revolution.